This is one of a number of posters used to promote Siren’s play ‘Mama’s Gone A’Hunting’. It is created in the form of an urgent telegram outlining the plot of the show, stating that woman intends leaving for a new planet without man.
The digitally produced poster was felt to be a ‘new’ form of photography at the time that it was on the high street, predating all the digitisation of photos that are now done on one’s own devices. Siren felt it reflected the futuristic content of the play.
This shows the programme cover of the pay Pulp. The programme shows a number of adverts, including from prominent lesbian organisations, such as Rackets, Dimples and Lesbian Line, as well as feminist companies such as Silver Moon bookshop Women’s Press. Nalgo (National and Local Government Officers Union) took out a full page advert supporting lesbian and gay rights. The programme promotes Siren’s cabaret show ‘Chic to Chic”, as well as their cassette ‘Siren in Queer Street’ and vinyl record ‘Siren Plays’. Page 4 & page 8 have the lyrics of seven sounds from Pulp, which were written by Jane Boston, and performed live by Siren. Page 5 has the Company Policy and a description of the play ‘Pulp’. It also shows some excerpts from reviews of previous plays. The play was directed and choreographed by Noelle Janaczewska. The artwork and layout of the programme was by Jenny Millington.
This image set depicts the cover, front and back, and cassette tape of Siren’s music release ‘Siren in Queerstreet’. It shows a list of the 13 tracks on the cassette, which included songs from some of the plays as well as songs composed by various members of Siren, and performed by Siren band. The tape was recorded at Newhaven Boys’ Club and at Real Time Studio Billingshurst. Cover photo by Susy Taylor.
This cassette was a mixture of home recording done by Deb Trethewey on a two track Sony reel-to-reel tape recorder, as well as some professionally recorded tracks at recording studios.
This black and white photo shows Jane Boston, Jude Winter, Tash Fairbanks and Deb Trethewey checking the map before heading off somewhere for a performance.
This photo was taken in front of Siren’s ancient touring van. On one tour, Siren went from venue to venue on the back of an AA van, due to constant breakdown problems with the vehicle.
Two reviews about the play ‘Curfew’ when it opened at the Oval House Theatre, London. The review at the top of the image is from 'Spare Rib', published in March 1982. It features a photo of Jane Boston as Calamity Jane. The review at the bottom of the photo is from 'The Stage', published in February 1982.
This shows a letter of appreciation written after Siren had performed ‘Mama’s Gone A’Hunting’ at Boundstone School. The letter highlights that pupils staff and friends were impressed by the …’stimulating thought provoking performance'.
This is a review of two plays, 'Mama’s Gone A’Hunting' and 'Curfew', which were performed on two consecutive nights in St Ives at The Parish Rooms.
As well as commenting on the performers acting ability, the review highlighted the lighting of both plays, as being harsh and beautiful.
This shows a preview of “From the Divine’ which was performed at The Millfield House Arts Centre in Edmonton, London.
Ticket prices were shown as £1.75 full price or £1.15 concessionary fare.
Digital reproduction of a review in The Stage of Siren's play 'From the Divine', when it was performed at the Oval House Theatre, London.
The review was particularly positive about the performance of Tasha Fairbanks as Harry and her manipulation of the ventriloquist dummy, Harry, as they both merge into one person.